While talking to my models, I usually show them my inspirations, and I explain what I want to achieve, but I also listen to their suggestions to know their point of view on my ideas. A cup of coffee and a nice, friendly conversation is the key to success. I always try to keep my models in a good mood during the photoshoot, because it helps to get satisfying results faster and easier. Portrait photography is the art of capturing people, which means I need to work with them while shooting.
#Is the olympus master software good iso#
By doing so, I can get a properly exposed image without raising my ISO or without using big studio lights. I usually point my flash at the ceiling to bounce the light off so it won’t be as harsh as a direct flash. I own a small speedlight, but it allows me to almost copy daylight in a closed space like a room or a small studio. When I am lacking ambient light, I reach for my strobe. It helps me develop more ideas of lighting, more framing ways and more positions for my models. This is why some people may consider black and white photography to be more challenging than regular, color one, but for me, this is a good thing because nothing boosts creativity more than being limited. In black and white photography, the understanding of light and the ability to modify it is incredibly important, because you can’t play with colors, so you have to draw your viewer’s attention with the lighting of your image. It allows me to get almost every result, from a soft and delicate, almost sensual look, to harsh, contrasty and dynamic portraits. I decided to go with the E-M1 Mark II, and it was a great idea.
#Is the olympus master software good upgrade#
The final upgrade came into my bag at the beginning of 2020, and it was a new camera body. But it wasn’t enough, so I bought Sigma the 56mm F1.4, which I described in more detail above. It helped me to get shallow depth of field in my portraits. A low-budget and plastic Panasonic Lumix G 25mm F1.7. Over time, I realized that portrait photography is what I wanted to do. I used it to, like before, shoot everything, but this time I felt some kind of attraction to portraits. It came with a kit lens, the M.Zuiko 12-50mm F3.5-6.3. My dad bought an Olympus OM-D E-M10 Mark II for me in 2017. It has been almost 2 years since I got a real camera. I was photographing almost everything I ran into on the street, trying to make those images look artistic. When I started taking pictures in 2015, all I had was my mobile phone. I can only recommend it to all MFT users. Autofocus is fast and accurate, and I haven’t experienced any missed shots or any hunting during my 2 years of using this lens. It uses a “Focus by wire” mechanism, so the lens doesn’t move the front element while focusing. It’s made out of metal, and the focus ring is rubberised. It’s small and lightweight, which makes it easy to fit in your camera bag. For me, this is the best portrait lens available for micro four-thirds systems. When it comes to lenses, my all-time favourite is the Sigma 56mm F1.4 DC DN Contemporary. It was great at first, but with time, it started lacking some features like higher resolution, better AF or better ergonomics, which offers the E-M1 II. The E-M10 II, which was my first camera, has been with me for almost 4 years, from the beginning of my photography journey. Meet our new project GRAIN Magazine and subscribe for a LIFETIME membership. The E-M1 II is the best choice for me, because it is incredibly fast, the autofocus is always accurate, and a 20 Mpix sensor fits all my needs. For my type of work, when I can control the light and conditions, I don’t need super high ISO capability or high megapixel count. I chose Olympus because of its compact size and a light weight. I also own three lenses, the Sigma 56mm F1.4 DC DN Contemporary, the Panasonic Lumix G 25mm F1.7 and the M.Zuiko 12-50mm F3.5-6.3. In my photography bag, you will find the Olympus OM-D E-M1 Mark II as my main camera body, and the OM-D E-M10 Mark II as a backup/travel body. Ted Grant once said that photographing people in color shows their clothes, while photographing them in black and white shows their soul, and I fully agree with that.
In my work, I am focused on showing peoples’ emotions and stories, which is why my photos are in black and white. Photography is my passion and a way to show my perception of the world and people. I am a portrait photographer based in Cracow, Poland.
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